Julie Sheppard
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What the press has to say about Julie Sheppard's award winning show...

"Judy Garland   A Night In The Life..."

"It works from beginning to end, owing not only to Julie's uncanny vocal similarity to Garland...she captures all of the vocal nuances of the mature Garland. You'll truly believe you are in Garlands presence."          
--Variety

"According to people in the audience, (Sid) Luft wept as Julie recreated some of Judy's songs..."
--PAGE SIX NY Post Richard Johnson


"Garland has never been honored quite so eloquently as in Julie's cabaret."
-- New York Post

"Julie doesn't impersonate Garland; she inhabits her and brings the legend back to life."
--Drama-Logue

"She represents a sort of perfection of Garland...she magically becomes her."
--Steve Allen

"A musical variety spectacular, at The Renberg Theatre."
--Frontiers Newsmagazine


"Julie's tribute to Judy Garland is so moving that it has many critics using superlatives they haven't used since Garland was alive."
-- Parlee Entertainment Magazine

REVIEWS

JUDY GARLAND— A NIGHT IN THE LIFE…
Actors Forum Theatre

Reviewed By Var Smith

In 1961, at the top of her game and enjoying her umpteenth triumphant comeback tour, Judy Garland walks into a little piano bar and joins a "name the show tune" contest because she just happens to know the song is from an MGM musical. She is persuaded by the engaging piano player to join the patrons to sing (and lift) a few. This simple premise is the beginning of a highly entertaining evening, thanks to Julie's uncanny performance as Judy, as well as the artful direction of J.J. Griffin. Lorna Luft may be singing the songs her mother taught her at a theatre in Beverly Hills, but Julie, who bears a remarkable resemblance and has the vocal power and mannerisms of Judy, is also singing them all, "and we'll stay all night," in North Hollywood. Julie aces Judy's signature songs—"Zing Went the Strings of My Heart," "Born in a Trunk," "Rock-a-Bye Your Baby With a Dixie Melody," and others—but it's the ballads and her banter with her talented co-star, Ron Snyder, "the piano man," that make us believe we're in the company of a genuine star. We feel the love, respect, and professional commitment they have for each other, and they pull us willingly into their world. In one of the evening's best moments, Julie and Snyder sing Harold Arlen's "The Man That Got Away" from "A Star Is Born." It appears they can identify with the lyrics. We can hear a pin drop when Snyder plays Chopin's haunting "Fantasie Impromptu," the melody used for "I'm Always Chasing Rainbows." It's a subtle salute to the other "rainbow song" Snyder has wisely chosen not to tackle. As Liza Minnelli said, "It's been sung." The intimacy of the theatre, the warm set and atmospheric lighting by John Grant, add immeasurably to the evening. Judy may be gone, but she will never be forgotten when she is in the loving and talented hands of Sheppard, accompanied by Snyder. To steal what a critic said about Judy and Liza when he saw them at the London Palladium, "This was double pow!" "Judy Garland—A Night in the Life…,"